The 90s were velvet and vinyl,grunge and glitter,a time when girl groups roseâbut the grip on our bodies never loosened. We still had to stay tig
The 90s were velvet and vinyl,
grunge and glitter,

a time when girl groups roseâ
but the grip on our bodies never loosened.
We still had to stay tight.
Still had to smile bright.
Still had to hold our stomachs in
while holding up the world.
Paula Abdulâ
sharp as a snap,
fluid as windâ
was a phenom,
a dancer who defied gravity.
But they zoomed in.
On her hips.
On her thighs.
Called her âchubby,â
even while she made millions sweat to her music, video, and fitness tapes.
Mariah Careyâ
golden voice,
melancholy eyes,
barely out of girlhood
before tabloids called her too much.
Too curvy.
Too dramatic.
Too emotional.
Too human for fame.
And when her exhaustion showed,
when her breakdown broke through the rhinestones,
they asked,
âWhat happened?â
Like they didnât watch her
grow up inside a meat grinder
called public scrutiny.
Just like in the 80sâ
when girls collapsed from anorexia
and society blinked like,
âWaitâwhy are they starving?â
As if the VHS tapes,
magazine racks,
and breakfast-table critiques
hadnât planted the seed.
The 90s had its own brand of denial.
We called it âdiva behavior.â
We called it âmood swings.â
We called it âattention-seeking.â
But what it wasâ
was a soul
barely clinging to breath
under the weight of a thousand invisible hands
pulling, pinching, shrinking.
And still,
they performed.
They smiled.
They delivered.
But no one asked how it felt
to be dissected in real time.
To be everyoneâs âbefore and afterâ
when you never asked to be
their aspiration or their warning.
This miniature series
is not just remembrance.
It is resistance.
To the shrink-wrap we were told was protection.
To the labels disguised as love.
To the punishment women endured
for daring to exist in public
with softness, emotion, and power.
We are unlearning.
We are remembering.
We are re-writing.