About money. About love. About what it means to be valued. This is not a new conversation. Long before internet debates and think pieces, Black wo
About money. About love. About what it means to be valued.
This is not a new conversation.
Long before internet debates and think pieces, Black women artists were laying down vocals that demanded respect, equity, and reciprocity. These werenât just love songs. They were freedom songs. Strategy songs. Boundary songs.
From vinyl to streaming, Black women have long sung the truth: about money, self-respect, relationships, and what it means to stand in your worth. Before social media âhot takesâ and digital debates, these women were already laying down the blueprintâthrough melody, rhythm, and unapologetic fire.
These werenât just songs. These were survival strategies, love letters to self, and declarations of independence. And they still speak.
1. Gwen Guthrie â âAinât Nuthinâ Goinâ On but the Rentâ (1986)
âYouâve got to have a J-O-B if you wanna be with me.â
Bold. Clear. Dismissed by some, embraced by many, Gwen Guthrie made it known: love cannot survive on vibes alone. This wasnât about greed. It was about equity. Emotional labor without mutual effort? Thatâs not partnership.
It was controversial at the timeâsome men hated it.
But Gwen Guthrie was simply stating a boundary: partnership requires contribution. She wasn’t asking for wealthâshe was demanding reciprocity.
It became a catchphrase for women who were tired of being expected to provide emotional labor, love, sex, or support without getting basic respect and stability in return.
đŹ Why It Matters:
She wasnât asking for luxuryâshe was demanding reciprocity. It was a rallying cry for women tired of being everything for everyone⌠except themselves.
2. Destinyâs Child â âBills, Bills, Billsâ (1999)
âCan you pay my bills?â
A glittery, biting critique of one-sided relationships. Destinyâs Child wasnât just harmonizingâthey were holding a mirror up to economic imbalance in love. Sheâs doing everything, and heâs living off herâentitled, draining, and disrespectful.
This was more than a breakup song. It was a call-out. A financial boundary. A declaration that your presence should not cost me my peaceâor my paycheck.
đŹ What They Taught Us:
Respect starts with shared effort. If youâre here to drain, take up space, or expect submission without support, youâre not a partner. Youâre a liability.
3. Diana Ross â âItâs My Houseâ (1979)
âI bought it with my own money / And Iâm independent, yes I am.â
Soft but immovable. This was sovereignty in silk. Diana wasnât negotiatingâshe was declaring her domain.
It aligned with a wave of late ’70s and early ’80s songs by women affirming autonomy.
Especially resonant for Black women claiming spaceâemotional, physical, and spiritualâin a world that often denied them that.
Produced by the legendary team of Ashford & Simpson
đŹ What She Taught Us:
Power doesnât have to shout. It just lives in truth. And ownershipâof space, body, time, and destinyâis the ultimate love song to self.
4. Aretha Franklin â âRespectâ (1967)
âAll Iâm askinâ is for a little respect when you get home.â
Yes, Otis wrote it. But Aretha rebirthed it.
She didnât just want respect from a manâshe demanded it from the world. Woman, worker, artist, Black and brilliantâAretha gave voice to every woman who was done being talked over.
đŹ What She Taught Us:
Power isnât taken. Itâs reclaimed.
5. Destinyâs Child â âIndependent Women Part Iâ (2000)
âI depend on me.â
While Bills, Bills, Bills revealed what we wonât accept, Independent Women showed what we do: strength, self-reliance, and success without shame.
đŹ What They Taught Us:
Having your own is not rejectionâitâs preparation. Self-sufficiency is not loneliness. Itâs legacy.
6. Tina Turner â âYou Better Be Good to Meâ (1984)
âThatâs how itâs gotta be now.â
Tina emerged from pain not with a whisperâbut with a standard. This song was about dignity, not drama. Tina came back after surviving unimaginable pain. She didnât ask for adorationâjust decency. This song wasnât about punishment. It was about promise.
đŹ What She Taught Us:
After survival, your bar doesnât lower. It rises.
7. TLC â âNo Scrubsâ (1999)
âHanginâ out the passenger side of his best friendâs rideâŚâ
TLC wasnât shading povertyâthey were calling out entitlement. Thereâs a difference. No ambition? No accountability? No thanks. TLC didn’t diss broke menâthey called out entitlement. Thereâs a difference.
đŹ What They Taught Us:
Struggle isnât the problem. Disrespect is.
8. Janet Jackson â âNastyâ (1986) + âLetâs Wait Awhileâ (1987)
Two anthems, one queen. Janet gave us permission to say no with heat, and not yet with softness.
Two sides of one brilliant coin. Janet gave us standards and softness. One song was a refusal of objectification. The other, a gentle boundary around intimacy.
âLetâs wait awhile / Before itâs too late.â
Janet Jacksonâs âLetâs Wait Awhileâ (1987) wasnât just a slow jamâit was a revolution in restraint. At the height of her youth, fame, and desirability, she made a quiet, soulful anthem about self-respect, boundaries, and emotional readinessâand did it with tenderness, not shame.
In an era where women were often objectified, Janet whispered something powerful into the cultural conversation: you donât owe your body to anyoneânot even someone you love.
The accompanying video showed intimacy, vulnerability, and deep careâbut also the strength to pause. And in doing so, she gave young girls permission to listen to their own timelines.
What she taught us: Your pace is sacred. Your name deserves reverence.
đŹ What She Taught Us:
You own your timeline. Your name. Your âno.â
And it deserves reverence.
9. Salt-N-Pepa â âRespect Yourselfâ (1988) + âNone of Your Businessâ (1993)
They told women: own your body, own your choices, and hush the shame. They told women to protect their peace, own their bodies, and stop apologizing for how they live, love, or hustle. These songs were loud, proud, and revolutionary.
đŹ What They Taught Us:
Autonomy isnât scandalous. Itâs sacred.
10. Queen Latifah â âU.N.I.T.Y.â (1993)
âWho you callinâ a b**?â**
A bulletproof boundary set to beat. Queen Latifah demanded a new standardâespecially for how the world talks to and about Black women. A punch wrapped in poetry. Queen Latifah demanded betterâfrom men, from culture, from all of us. Financial freedom was one piece. Self-worth was the whole puzzle.
đŹ What She Taught Us:
You define your worth. No negotiation.
Honorable Sisterhood
đ¤ Lesley Gore â âYou Donât Own Meâ (1963) A teenager passionately singing a women’s empowerment declaration.
đ¤ Dolly Parton â â9 to 5â (1980) A working womanâs anthem that called out workplace exploitation with a beat you can two-step to.
Because truth transcends genre. And when women sing it, it echoes.
đ¤ And Hereâs the Deeper Truth:
There are whispers today suggesting that womenâs financial independence is somehow a flaw. That being âtoo muchâ or âtoo independentâ makes you unlovable.
But these women, through decades of rhythm and resistance, made one thing crystal clear:
đĽ Women have never needed to earn the right to money, power, or respectâbecause that right was always ours. đĽ
We donât have to explain why.
We donât have to prove we deserve it.
We simply claim whatâs ours.
Because from the mic to the marketplace,
Black women have always sung the truth.
Because She Sang, We Speak: Honoring Billie Holidayâs Legacy of Truth